Re: Leica M lenses - digital readiness I don't doubt that Kodak made the CCD for the DMR. But the responsibility for its development and supply lay with Imacon. I am told that Leica are *extremely* unhappy with the service and support Imacon provided for the DMR. Six months after the projected release date, DMR production was running at one tenth of the volume Imacon had contracted to provide. DMR sales have never met targets because the product has never been available at the contracted rate. (Having said that, it is a very fine piece of equipment that can beat the Canon EOS 1Ds Mk II for overall image quality.) Couple the bad experience with the DMR with the fact that Hasselblad were involved with Cosina in the project to produce and market the Zeiss Ikon camera in direct competition with Leica's M Series, on which Leica's solvency critically depends, and there are more then enough reasons for Leica not to want any more than the most minimal further collaboration with Imacon, now merged with Hasselblad. Leica already had other good reasons not to want to deal with Hasselblad. First, Leica spent a lot of money co-developing Leica glass for Hasselblad's medium format cameras, only for the project top be scrapped. Hasselblad was taken over by a Far Eastern company and signed up with Fuji for (1) the production of the X-Pan panoramic 35mm camera and lenses that ate away at the landscape end of the Leica M market and the H1 645 medium format/digital SLR and lenses, all of which are 100% Fuji-made. There is no love for Hasselblad in Solms, with some justification. By the time the DMR development came to a conclusion, Hasselblad had effectively been reversed into Imacon and there was no love for Imacon in Solms either. There was no way Leica would want Imacon to be involved with the digital M, and I can assure you that they are not. I know the identity of the company helping Leica with the development of the digital M but unfortunately I cannot divulge it. All I can tell you is that is not Imacon. But the sensor is definitely Kodak. Tony Polson
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