Re: The Zeiss Myth... Considering that nobody is releasing new 35mm film lenses anymore, it is fast becoming a moot point. Even new digital lenses are not easily compared, because they are one part of a larger system including the chip, the number of MP, the amount of digital noise and the sharpening algorithms utilized. The notion of isolating lens performance measurements, and not taking the other factors into account, seems inappropriate. Just read the online camera reviews, and lenses are described in only the broadest, most generic terms ("it has what seems to be a pretty good lens"). Just WHAT is the definition of a "pretty good lens?" True, lens data never did tell the whole story, but it was useful in spotting trends. Some brands had consistently better performance than others. Given 35mm's limits, photographers that wanted to squeeze every bit of performance out of their equipment needed to know that information. As for bokeh, it is going to become a function of post-shoot editing, just like we apply gaussian blur, rather than use soft-focus filters in front of lenses. Already, Corel PSP XI has a rather primitive method of applying a blur to the parts of the image that surround the main subject. Just a couple of mouse clicks and you have bokeh--adjustable to taste. I'm sure that feature will be continually refined in future upgrades of the software. How long before software vendors begin creating databases of lenses so they can apply fixes designed specifically for individual lens models? Imagine being able to batch process all the photos taken by a given lens to apply corrections for barrel/pincushion distortion, chromatic aberration, maybe even slight adjustments for color balance? I suspect that lens performance measurements won't be quite as significant as they used to be, because it is easy to make corrections during post-shoot editing. Jeremy
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