A Tale of Two Pentaxes...

While at the Javitz show on Thursday I had the opportunity to sample
both the 43/1.9 Limited lens in black (Yum!) and the somewhat rare to
find (or buy) 50mm f/1.4 FA - unfortunately I was only able to test
these on a K10 (DSLR) body (and a K100?) so with the 1.5 crop factor I
did not get the chance to see the true difference in angle of
view/coverage I would have gotten had I used a full frame 35mm SLR
(mine unfortunately was not with me at the time). The 43 had very nice
bokeh but the 1.4's bokeh was "sublimeish". I am trying to choose
between the two lenses, can't afford to get them both (and even getting
one might take a bit of saving too). I am aware of the 43's "sublime"
micro-contrast and 3D bokeh, but only through web examples. I also know
that it is less than sharp wide open but improves a stop or two down
and that it has fall off in focus/slight exposure darkening arond the
edges?/corners. As just said the 50mm 1.4 has sublime bokeh but its
bokeh (to me) doesn't appear as three dimensional in its transition as
the Limited lens (again from web examples only - that's all, besides
the show, that I have to go on other than other's opinions). I have
also been to Stan Halpin's site (pardon my English/spelling) and the
PDML (not to mention read posts in this group on the subject - but I'll
mention it anyways ;-)). Cost (when/if I can afford them) is not a
factor (or won't be when I have the money ;-)). I can't decide on which
lens I should get first and I am equally torn between both lens's bokeh
rendition and am not sure whether the 7mm difference will or won't
afffect my shooting style (mainly half shots of people w/ a selective
focus background and some environment (which leaves out the 77 Limited
and 85 lenses in their various incarnations) and a wide range of
general usage). I'd flip a coin to decide but it would probably stand
on edge ;-).
Any thoughts (both from Pentaxian users/others)?
Thanks in advance :-).

Thebokehking@yahoo.com


Re: A Tale of Two Pentaxes...

Not really...
http://www.historybuff.com/library/refbarnum.html
mike


M II


Re: A Tale of Two Pentaxes...

Just my way of saying that I hope his hard work is still fun for him.


Thebokehking


Re: A Tale of Two Pentaxes...

"thebokehking" <thebokehking@yahoo.com> wrote
Does that mean you wish him that fun will be hard work?
As they say: What ever doesn't make you stronger, kills you.
--
Nicholas O. Lindan, Cleveland, Ohio
Darkroom Automation: F-Stop Timers, Enlarging Meters
http://www.nolindan.com/da/index.htm
n o lindan at ix dot netcom dot com


Nicholas O. Lindan


Re: A Tale of Two Pentaxes...

Can't you see how they were "painted with light?"
I still say he is posting from a mental institution. I'd bet the farm that
he neither owns any of the cameras and lenses that he claims to possess, not
has he ever handled them. I am amazed that people actually respond to him
with the deference due to someone that is knowledgeable. He has been kicked
off numerous moderated newsgroups, and he continues to hold himself out here
as a photo expert--except that not a single one of the jobs and employers
that he has claimed has ever been verified.
P.T. Barnum was right . . .


Jeremy


Re: A Tale of Two Pentaxes...

This is Polson's photography.
http://abpr.railfan.net/abprphoto.cgi?september98/09-24-98/d9000a.jpg or
http://abpr.railfan.net/abprphoto.cgi?september98/09-24-98/d9000b.jpg
Nobody sponsors that.


Alan Browne


Re: A Tale of Two Pentaxes...

Funny, real pros have no problem saying who sponsors them...
;-)


Alan Browne


Re: A Tale of Two Pentaxes...

I thought Elite color was slide film, did Kodak revamp the line or just
a typo?
Kodachrome 64 (slide) with a monopod and
Uhhhhhhhhh Agfa Fuji Scotch? Shhhhhhh its a secret...
In the digital age I'm amazed that anyone is sponsoring anyone for film
shooting! :-)
Did they contact you or did you contact them for the assignment?
May your hard work be hard fun - and lots of great images.


Thebokehking


Re: A Tale of Two Pentaxes...

Kodak Elite Color 200 (C41), Kodachrome 64 (slide) with a monopod and
Kodak BW400CN (C41 black and white). I can't tell you which film
manufacturer sponsors me. :-)
Thanks, I will try. But before then I have two weeks of hard work -
in the UK, but away from home.


Tony Polson


Re: A Tale of Two Pentaxes...

No, I haven't. I am reasonably happy with the 35mm f/2.4 but
preferred my previous Pentax K 35mm f/2, until it broke. :-(
I'm not sure how much pleasure shooting I will be able to do, as I
have work commitments to fulfil every day. But I will grab every
opportunity I can. Enjoy your trip!
;-)


Tony Polson


Re: A Tale of Two Pentaxes...

Hi Tony!
Have you compared the CZJ 35mm f/2.4 to the older 35mm f/2.8?
If find the f/2.8 very sharp (sharper than), but not "monumental"
looking like the Schneider Curtagon 35mm or the Pentax 35mm f/3.5.
I haven't decided what to take yet, but if you see another guy shooting
hopelessly outdated film equipment in Paris in mid-late November, it
might be me!
Cheers,
Chris


Chris Loffredo


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